Dave McKean is an astonishingly brilliant and prolific illustrator, graphic novelist, animator and director. His credits are too numerous to mention, but his films include Mirrormask, written by long-time collaborator Neil Gaiman, Luna (as yet unreleased) and last year The Gospel of Us, in which he filmed Michael Sheen being crucified on a beach in Port Talbot.
I’ve interviewed Dave a few times, and had the pleasure of asking him about his favourite movies involving Christ and crucifixion, to get us all in the Easter spirit:
“There are a lot of screen depictions of the Passion of Christ that I love. King of Kings, the silent film, has a beautiful atmosphere. There’s the Christ sequence in Ben Hur, which goes from a sepia image to glowing Technicolor. Pasolino’s The Gospel According to St Matthew has these incredible faces of these non-actors he got to play the parts. Jesus of Montreal is probably the closest to The Gospel of Us. The Last Temptation of Christ is fantastic, it’s close to being my favourite Scorsese film. Mel Gibson’s film The Passion of the Christ is brutal and over the top in the scourging sequence but it has some amazing stuff in it. But nothing beats Jodorowsky’s Holy Mountain.
“Holy Mountain was hard to find for a very long time. The original prints were embargoed by the producer and it was only available in Japan in degraded and often heavily censored form: glowing orbs would appear over people’s genitals. But Jodorowsky finally got the rights back recently, and it’s an astounding film to look at, though it makes variable sense depending on who you are and how much you’ve had to drink.
“Jodorowsky has said he basically rounded up his actors and kidnapped them, kept them in isolation, broke them mentally, then put them back together on screen. In a key scene the Christ figure, who is a complete innocent, gets cast in papier mache by his followers. When he wakes up, he sees a thousand versions of himself and is driven insane, smashes them all up, and the last sequence is him eating one, ripping great chunks out of it.
“But the whole film is incredible. You start with this man, who wakes up, covered in flies… it doesn’t make much sense but it’s incredibly compelling. It’s one of those films where you arrive somewhere, look back, and you think ‘How the hell did I get here’ and you can’t imagine where you’ll be in ten minutes’ time.
“My own approach to Gospel of Us wasn’t much more sensible. We basically raced down to Port Talbot, where Michael Sheen was re-enacting the Passion over 72 hours with a cast of a thousand locals, taking ten cameras to shoot what the hell we could. It took eight months to whittle it down to a two-hour film.”
So there you go. That’s your Easter weekend movie viewing sorted. And we didn’t even mention The Life of Brian…
A shorter version of this post first appeared in The Book magazine