I am unreasonably excited by the new teaser trailer for Sin City: A Dame To Kill For, which has just been released. The first film was a stone-cold, hard-boiled cult classic, echoing Frank Miller’s Expressionist (in film terms) art with amazing precision while still adding life to the book – it didn’t feel like a second-hand reproduction as Watchmen did. That they didn’t tone down the violence was something of a miracle, though not every viewer had the stomach for a Harry Potter lookalike getting his arms and legs eaten off by dogs while still alive.
A lot of people are no fans of Frank Miller, and in some ways he’s the anti-Alan Moore. Right-wing in sensibility where Moore is left-wing to the point of anarchy, he also despises realism in superhero comics, pushing for archetypal stories of violence, desire and redemption. Whatever you may think of his politics and view of women, I’ve interviewed him and found him eloquent, intelligent, mildly irascible and good company.
It’s Frank’s year: 300, the movie you’d think couldn’t possibly have a sequel, gets a second go-round with Rise of an Empire. I visited the studios in Bulgaria when they had just finished shooting, and the crew were agog at what a monumental production it was, using up every single one of their massive soundstages for green-screen work. But to me, it looks overwrought from the trailer. No fun; just brutal.
Sin City: A Dame To Kill For, in contrast, looks to be a visual feast, with a knock-out cast that reunites Jessica Alba, Rosario Dawson, Jaime King, Powers Boothe, Mickey Rourke, and Bruce Willis, as well as adding Eva Green, Josh Brolin, Jamie Chung, Joseph Gordon-Levitt, Juno Temple, Ray Liotta, Stacy Keach and, er, Lady Gaga. It’s been nine long years since the first film. Welcome back, big Marv.