The new folk hero: Al Joshua’s showcase gig at Ronnie Scott’s

14 Jul

Al Joshua press picAl Joshua, who plays a showcase gig at Ronnie Scott’s Upstairs on Tuesday (July 15) that you’d be foolish to miss, is one of the cleverest, funniest, charmingest, bolshiest, stubbornnest people I’ve met. He had a promising music career and strong cult following a few years back as Orphans & Vandals, but has been out of the limelight for a while – working on new songs, and writing the screenplay for Set The Thames On Fire, a dystopian sci-fi buddy movie directed by Ben Charles Edwards which finished shooting a couple of months ago.

A few years is a long time in the music biz. Al’s comeback gig at the Notting Hill Arts Club a few weeks back was attended only by his new manager and a few friends.

Yet it was one of the most mesmerising gigs I have witnessed.

How to describe Al’s songs? There’s a dash of Tom Waits, a sprinkling of Bob Dylan. But they sound raw and fresh and achingly lovely. Though delivered by just one man with a guitar sitting on a stool with a black rapscallion hat perched on his ginger hair, they don’t seem retro at all. These are songs of loss and longing, distinguished by a rare linguistic dexterity. Songs to be listened to. And, in typically stubborn defiance of the conventional wisdom about attention spans getting shorter, they’re mostly about ten minutes long. You wouldn’t want them any shorter.

Al’s signature tune, perhaps, is I Love You Madly. You can play it on Soundcloud here, but it’s especially hypnotic live – the phrase, when it comes, repeated again and again in urgent but subtly different ways like a mania, a mantra, a plea, a prayer.

His manager, an industry veteran with a strong track record, told me after the gig that he had had no desire to take Al on. He didn’t exactly seem like the most commercially lucrative prospect. But then he heard the songs… “And damn him, I just couldn’t not say yes.”

Click here for discounted tickets to Ronnie Scott’s Upstairs on July 15.

 

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2 Responses to “The new folk hero: Al Joshua’s showcase gig at Ronnie Scott’s”

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  1. See my short, Dotty, for free! Plus: amazing new feature Set The Thames On Fire | London, Hollywood - November 6, 2014

    […] Dotty’s visionary young director Ben Charles Edwards has since made his feature-film debut, with Sadie Frost, Emma Comley and Andrew Green as producers. I’ve seen some rushes, and it looks extraordinary (and not just because I am in it, briefly, playing a music producer in a huge quifftastic hat). It’s like a darker version of Withnail & I set in a retro-Dickensian dystopian future London, and it’s called Set The Thames On Fire. The screenplay is by the very talented musician Al Joshua, whose recent showcase gig  I wrote about here. […]

  2. Set The Thames on Fire goes LOCO with Noel Fielding, Sally Phillips and Sadie Frost | London, Hollywood - April 23, 2016

    […] Al Joshua, who wrote the screenplay, based the main characters of Art and Sal on himself and Ben – they shared a flat together in east London years ago. A brilliant musician who had previously achieved cult success with the band Orphans & Vandals, he also took over duties as composer when the original score commissioned failed to match the film’s romantic but decidedly off-kilter tone, by which time he had only a couple of weeks to come up with the whole thing. […]

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