If you’re in London this Saturday lunchtime, grab the chance to watch Dotty on the big screen – for free! Dotty is a truly lovely short film that I dreamed up and Ben Charles Edwards directed, about a troubled young boy growing up in Nevada in the ‘60s who forges a life-changing friendship with an eccentric lady in a mysterious trailer in the desert. I was very loosely inspired in writing it by Harold and Maude, and there’s a reveal at the end that still sends chills up my spine, thanks in part to a haunting Danny Elfmanesque score by Paul Honey.
Sadie Frost won a well-deserved Best Actress award in the title role from the Hollywood Reel Independent Film Festival (I flew over for that, see here), and the boy is touchingly played by her real-life son by Jude Law, Rudy Law. Dotty has screened in 20-odd festivals round the world already, and this is its second London outing, following Raindance. It’s showing as part of the Fringe! Queer Film and Arts Festival, now in its tenth year, together with four other shorts under the themed of “Growing Pains”. Tickets are free, but you should book them in advance here.
I can’t be there in person, sadly. I’m going back to my old Oxford college for its Careers Day, to give advice to students contemplating a future in journalism. That advice, incidentally, distilled to its essentials, is THERE IS NO FUTURE IN JOURNALISM! RUN AWAY! RUN AWAY!
Dotty’s visionary young director Ben Charles Edwards has since made his feature-film debut, with Sadie Frost, Emma Comley and Andrew Green as producers. I’ve seen some rushes, and it looks extraordinary (and not just because I am in it, briefly, playing a music producer in a huge quifftastic hat). It’s like a darker version of Withnail & I set in a retro-Dickensian dystopian future London, and it’s called Set The Thames On Fire. The screenplay is by the very talented musician Al Joshua, whose recent showcase gig I wrote about here.
Check out the amazing pics for Set Thames On Fire on the new website.