Tag Archives: Argo

Home again, or Homeland? What Hollywood tells us about Saving Bowe Bergdahl

3 Jun
Homeland

Spot the difference: Damian Lewis in Homeland…

Bowe Bergdahl

… and Bowe Bergdahl in captivity

I was asked this morning by the International Business Times to explain the historic release of POW Bowe Bergdahl in terms of films and TV. It turns out to be a surprisingly good way of making sense of a complex topic. My piece starts:

<<When President Obama announced the release, after five long years, of America’s only prisoner of war in Afghanistan, he must have imagined the credits rolling and the music swelling (perhaps Hans Zimmer’s Leave No Man Behind from Black Hawk Down) over a happy Hollywood ending. Saving Private RyanLone SurvivorArgo, even Forrest Gump – these are just a few of the movies that have seared into our consciousness the idea that no sacrifice is too great in order to rescue a fallen comrade.

It even fuels the plot of two Star Trek movies. “Logic dictates that the needs of the many outweigh the needs of the few… or the one,” says Spock, when he sacrifices himself in The Wrath of Khan. But The Search for Spock turns this on its head, when Kirk explains the noble human instinct that caused him to risk his ship and all its crew for his second in command: “The needs of the one outweigh the needs of the many.”>>

But then the story gets murky… click here to read the rest at International Business Times.

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The Oscars 2013: And the actual winners are…

25 Feb
Daniel Day-Lewis wins third Oscar for Lincoln

Daniel Day-Lewis: The Greatest Actor Who Ever Lived™

Best Picture: Argo With hindsight (and having now actually seen it, which I hadn’t when I predicted Lincoln in January), Argo seems an obvious winner. The Academy rewards films about the movies disproportionately – just look at The Artist. And it has the same message as Zero Dark Thirty – screw you, terrorists, America kicks ass! – without the unpalatable politics. It even has its own catchphrase, “Argo f*** yourself”, which is being repeated in film meetings across Hollywood. Interestingly, truth here is stranger than fiction. The real CIA agent behind the extradition of US embassy staff from Iran deliberately called his fictional film Argo after an old joke: “Knock knock.” “Who’s there?” “Argo.” “Argo who?” “Argo f*** yourself.” The title of the movie was, therefore, a barely coded “f*** you” to the Iranians they were duping.

Actor: Daniel Day-Lewis, Lincoln. I called this one right, not that that makes me Mystic Meg. With a third win, he is now officially The Greatest Actor Who Ever Lived™.

Actress: Jennifer Lawrence, Silver Linings Playbook. I mischievously called for Emmanuel Riva to win, on the grounds that her age is closer to that of most Academy voters, but there has been a growing Cult of Jennifer Lawrence in the last year, her chat show appearances turning into internet memes. She is unstoppably adorable, bizarrely untainted (so far) by Hollywood pretension. Even on the red carpet she was announcing how hungry she was, voicing what every stick-thin actress thought but would never say. Quite apart from her performance being great, people would have voted for her just to see her speech. She didn’t disappoint. After stumbling over her dress, she said: “You guys are just standing up because you feel bad that I fell over and that’s embarrassing.”

Supporting Actor: Christoph Waltz, Django Unchained. I don’t quite get this. Waltz was playing pretty much the same character with the same laborious elocution and loquacity as in Inglorious Basterds. Still, I guess they liked it enough the first time to give him an Oscar, so it makes sense to chuck another one on the fire.

Supporting Actress: Anne Hathaway, Les Miserables. Again, you didn’t have to be Mystic Meg to see this coming. Hathaway is evolving into a very complex and credible actress, able to switch effortlessly from frothy comedy to searing drama. [Her alcoholic in Rachel Getting Married was extraordinary.] Her brief role in Les Mis was such a stand-out, she was as firm a favourite to win as The Greatest Actor Who Ever Lived™.

Directing: Ang Lee, Life of Pi. Steven Spielberg had an epic subject, a terrific script, and The Greatest Actor Who Ever Lived™. As a director, all he really had to do was not screw it up. Whereas Life of Pi is pretty much unfilmable, and Lee did a bang-up job.

Foreign Language Film: Amour. If it’s nominated for Best Picture, you can be pretty sure it’s going to win this category.

Adapted Screenplay: Chris Terrio, Argo. It won Best Picture, so it’s going to win this. Sorry, Tony Kushner.

Original Screenplay: Quentin Tarantino, Django Unchained. A deserving winner. The problems I had with this film (see bit.ly/YgJfSV ) are down more to direction than writing. This was a big, ballsy piece of work with some unforgettable scenes and dialogue.

Animated Feature Film: Brave. This was Pixar’s blandest and most disappointing movie by far. Maybe Academicians don’t actually watch the cartoons. Mind you, Pirates! was not up to the usual Aardman standard, either, and Frankenweenie was perhaps always going to be too weird.

And the other awards went to….

Production Design: Lincoln.

Cinematography: Life of Pi.

Sound Mixing: Les Miserables.

Sound Editing (tie): Skyfall, Zero Dark Thirty.

Original Score: Life of Pi, Mychael Danna.

Original Song: Skyfall from Skyfall, Adele Adkins and Paul Epworth.

Costume: Anna Karenina.

Documentary Feature: Searching for Sugar Man.

Documentary (short subject): Inocente.

Film Editing: Argo.

Makeup and Hairstyling: Les Miserables.

Animated Short Film: Paperman.

Live Action Short Film: Curfew.

Visual Effects: Life of Pi.

Backstage at the Oscars: bit.ly/WjCnhI

BAFTA awards ceremony: winners, sinners and zingers

10 Feb
Argo

Argo takes Best Film, Best Director, and inspires Stephen Fry’s new beard

The BAFTA awards ceremony was terrific. Conducted with a minimum of fuss, ceremony and ridiculous frocks, and a maximum of Fryesque facial hair, it even featured Daniel Day-Lewis taking the piss out of his Method-acting ways. “Just in case of this moment,” he said, “I’ve stayed in character as myself for 55 years; had a selection of BAFTA sets downscaled and placed in my living room…”

And so, without further ado, my awards for the best BAFTA ceremony moments go to:

Most unctuous introduction: “Sumptuous and superlatively scrumptious… one of the true immortals of Hollywood” – Stephen Fry on Sally Field.

Least unctuous: “A death mask on a stick” – Billy Connolly on the BAFTA trophy.

Most bizarre introduction: Stephen Fry is famous for these. I liked “Please ululate wildly for…” and “Please spank palms audibly for…”. But the winner is for Life of Pi, which Fry supposedly mistook for an American Pie sequel: “Sadly it featured no young men pleasuring themselves with fruit-filled fancies.”

Biggest upset: Christoph Waltz beat not just Philip Seymour Hoffman (The Master) but more strangely Javier Bardem in Skyfall. But the biggest upset must still be Argo taking Best Film. Even Samuel L Jackson, presenting the award, read it out with a chuckle of obvious amazement.

Smallest upset: A three-way tie between Amour winning Best Foreign Language Film; Daniel Day-Lewis getting Best Actor; and Anne Hathaway winning Best Supporting Actress.

Most sincere acceptance speech: “This is a second act for me… I’m so grateful and proud” – Ben Affleck getting Best Director.

Least sincere: Quentin Tarantino (Best Original Screenplay, again) sounded about as chuffed as if he’d been offered a cigarette. And he doesn’t smoke.

For the full list of winners, go to http://awards.bafta.org/