The Page To Screen events at the London Screenwriters’ Festival are always great. This year, they screened Silence of the Lambs, Finding Nemo AND The Lost Boys. As it’s Halloween today, of course I’m kicking off with The Lost Boys. Joel Schumacher dishes some inside info on the top 10 scenes:1. The camera swoops in over the sea to a boardwalk by night: This long shot onto the boardwalk was meant to come in all the way onto Kiefer Sutherland’s face, but there’s a law that you can only bring a helicopter in so far, so we had to cut. Santa Cruz was the murder capital of the US at the time. A lot of runaways, prostitutes and murders. We had to change the name to Santa Carla, because Santa Cruz didn’t want to be known for that. Even though three of the most famous serial killers were discovered near here around this time.
2. We meet the family, then it’s back to the boardwalk with a topless sax machine. This was Tim Capella, who was Tina Turner’s sax player. Harry Knowles who runs Ain’t It Cool News told me that on certain anniversaries of The Lost Boys they have a free concert on the beach and a big movie screen. I said why don’t you invite me? It sounds great.
3. Our young hero Sam meets two pint-sized vampire hunters in a comic store: This is the first time the two Coreys (Haim and Feldman) were together on screen. I told them to watch Rambo a couple of times (to get a handle on their characters). That’s where the headband comes in.
4. Sam’s elder brother Michael ends up in the Lost Boys’ cave: My concept for this was you could have this amazing baroque hotel, and during the earthquake of 1906 why couldn’t it have fallen into the San Andreas Fault, so you get this great stuff underground. Then they took a million dollars out of our budget. They kept asking me, are you making a comedy or a horror movie? I said, yes! They said, it won’t work. I said, pray. So what the production designer did was brilliant: the caves were all “flats” on rollers, so they could be shifted around wherever the camera was pointing. There’s always a way.
5. The vampires make Michael hallucinate that his Chinese rice has turned into maggots: You need wranglers for the maggots. Here’s a little tip: to get them to move, you squeeze lemon on them, then yell “Action”.
6. Having drunk vampire blood, Michael and the other Lost Boys hang from a railway bridge. This is a bridge maybe 15 feet at most over a small gulley. To make it seem dangerously high, we used a piece of the bridge and suspended it over a whole sound stage filled with fog. The boys are wired – that’s the cheapest thing to take out with visual effects. When they drop, that’s a stuntman, falling the whole depth of the soundstage into cardboard boxes.
7. Finding some Surf Nazis at a campfire, the Lost Boys feed. Run DMC gave us the song Walk This Way to use, and we just decided we’d kill Surf Nazis to it. It just seemed fun. The Lost Boys was viewed with some trepidation by the studio, but at our first test screening there were lines around the block. The theatre held about 750 people, and it was like a rock concert, it was fantastic. There were nine or ten Surf Nazis in the fourth row, and during the killing scene they got so excited that they tore the stuffing out of their seats and threw it everywhere. You’ve never seen so many happy executives.
8. The young vampire-killers find the Lost Boys hanging upside down, asleep. They drive a stake through Alex Winter’s heart. Kiefer Sutherland is understandably upset. They had these hard lenses in, they hurt. We blow smoke at them. They’re hanging upside down. Actors are amazing! I’m not a genius as you all know, I’m not the greatest director in the world, but I’ll match my casts with anyone. Kiefer used to go to lunch in full make-up, and enjoy people’s reactions.
9. The vampire-killers escape into the light, nearly reversing a car over a cliff in their panic. The kids were furious with me that I got stuntmen to do it. They didn’t speak to me all day. Corey said to me after, “The only reason we decided to do this movie was so we could drive backwards! It says it in the script!” He was 13.
10. The hilariously gory showdown. One vampire is electrocuted on the record player and his head explodes, after which Sam says triumphantly, “Death by stereo.” There was just so much cheering and screaming in the audience when his head blew up, they missed that line. And it’s a great line. So we had to put an extra-long pause in there. [Laughing] I want you to know that these fine actors, including the Academy-Award-winning Dianne Wiest, sat in this thick black smoke for all these takes. I had to go to one of those facials that cleans out your pores for the next three weeks!
For Joel Schumacher on how Woody Allen changed his life, click here. More from the London Screenwriters’ Festival: click to read tips from Tony “Life on Mars” Jordan and Lynda “Prime Suspect” La Plante. Or enjoy the Joe Eszterhas live commentary on Basic Instinct, from last year’s LSF.