Tag Archives: Laura Westcott

Christmas cheers: a night of Music for Mental Wealth

9 Dec
Coffeepot Drive

Lady Oracle and the angelic guitarists of Coffeepot Drive

“That wasn’t at all what I expected,” said a posh-voiced suit as he exited St Paul’s in Covent Garden, after the Actors’ Church had been shaken to the rafters by a mighty gospel-voiced singer named Lady Oracle and her rock band that included two guitarists with angel wings. He hated it, I thought. He only came for the heavenly a capella carol singing which kicked off the evening by Stelle Cadente, composed of members of the London Philharmonic Choir. But he went on: “It was absolutely fantastic. An amazing evening.”

This was “A Celebration of Christmas and Music”, in aid of Music for Mental Wealth and Nordoff Robbins. As the founder of Soundcheque (see previous blog) as well as of Music for Mental Wealth, Laura Westcott knows a thing or two about talent-spotting, and she came up trumps this time.  There were dizzying arpeggios from classical-crossover pianist GéNIA; a very modern take on the traditional Irish harp from the flame-haired Lisa Canny, who played a blinding version of Ed Sheeran’s You Need Me, I Don’t Need You; and the aforementioned finale by Lady Oracle and her band Coffeepot Drive, where they topped their own songs with the best cover ever of Slade’s Merry Christmas Everybody.

Joe Slater

Singer/songwriter Joe Slater, up from Liverpool for the Music for Mental Wealth benefit at St Paul’s Church in Covent Garden

But fantastic as they were, the real discovery of the night was young singer/songwriter Joe Slater, down for the night from Liverpool, who received a spontaneous and unanimous standing ovation. Ye Gods, that’s a talent. Even the brand-new song he tried out, Wasting Away, was brilliant. The songs have tunes as anthemic as Oasis, his voice is powerful, with high notes in the range, a rock ‘n’ roll rasp on command, and real heart. He’s all there. The complete package. The real deal. To all record label scouts: go see. Go sign.

And of course the night was one in aid of good causes. Laura Westcott herself battled with anxiety and stage fright as a music graduate, which made her courage in singing and reciting a self-composed poem as moving as the verse itself. As was the guitarist in Coffeepot Drive, who spoke of depression and suicide in his musician family, with a broad smile to hide the tears.

Christmas is indeed a time for giving, and not just iffy socks to distant family members who have more than enough already. If you’d like to make a donation, go to www.musicformentalwealth.com.

 

 

 

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They shoot, she scores! Soundcheque’s movie music

31 Jan
Image

Soundcheque founder Laura Westcott makes it Big (as in Tom Hanks)

Music and film. Or, as Bowie sang, “Don’t you wonder sometimes/About sound and vision?”

You may not notice it consciously, but soundtracks have a powerful effect on your emotions. Try watching a horror movie, or even a romance, on mute with subtitles. Or imagine Jaws without the cello, Star Wars without the strings. It’ll leave you cold.

Not every film-maker can afford to commission a brand-new composition. Not every musician knows how to get in touch with directors. So welcome, please, www.soundcheque.com, a brand-new website, launched today, that aims to bring the two together. Don’t expect bells and whistles, not yet anyway, or a refinable Search facility. Do expect the personal touch.

“I’m not doing this for the money,” says Laura Westcott down the phone from New York, where she now works as an online content editor for News Corporation. “I’m doing this for love, to help musicians. When someone posts their project, I and my small team of Soundcheckers will try to match it to the right music.”

The site takes 20% commission from any transaction. Fees are negotiable, depending on the size and budget of the project. Laura will even allow student and no-budget film-makers to advertise no-fee projects, assuming one of her musicians is hungry enough for credit.

There are other sites you can go to: www.Scorerevolution.com, for instance, or www.Magnatune.com. SoundCheque has a way to go before it can match the range of their catalogues. But it is free for film-makers to register their projects, while musicians get a no-win-no-fee deal. And Westcott appears to have the nous, the contacts, and, most importantly, the passion to build her site up for the future.

Before spending three years as a recruitment consultant and then pitching up at News International, she got a degree in Music, and spent eight years with the London Philharmonic. Having crossed the Atlantic, she has just got into the New York Choral Society, which will mean singing at Carnegie Hall (she’ll have to “practise, practise, practise!”).

In fact music is, quite literally, in her skin.

Westcott confides: “Peter Brookes (the Times cartoonist) gave me a drawing of a musical butterfly, joking that I should get it tattooed… and I did!”

Soundcheque welcomes project synopses from film-makers, and uploads from musicians, at http://www.Soundcheque.com

Nearly a year after I wrote this, Soundcheque relaunched with a new-look website and 1,000 composers. Read about it here.