Tag Archives: MTV
Video

Bad Grandpa: Borat meets the school of hard Knoxville

1 Aug

I’m pretty sure I’ve just seen the runaway comedy film of the autumn. Or rather, the trailer for it, which was released just a few hours ago. Bad Grandpa features Johnny Knoxville as 86-year-old Irving Zisman, on a far from heart-warming road trip across America to reunite his eight-year-old grandson with his father. Suddenly scheduled for release on Oct 25, it was filmed in great secrecy over the summer, in order to keep the reaction of the public, Borat-style, authentic.

As you’d expect from the makers of Jackass, the comedy is broader than the Amazon river. Knoxville/Zisman collapses into a tower of champagne glasses at a wedding; knocks over the open casket at a funeral; and, in a glorious homage to Little Miss Sunshine, his grandson dons a dress and blonde wig to enter a child pageant, and ends his routine dancing round a stripper’s pole as his granddad peels off dollar bills. This at least shows that the humour will occasionally strike a valid satirical target, rather than just disturbing innocent bystanders whose shock, anger and bewilderment are recorded by multiple hidden cameras.

As a commercial idea, it’s genius: like all the most popular YouTube clips of people falling over and fighting and freaking out put together. As comedy it looks, expel me now from the Critics’ Circle (um, not that I ever joined), hilarious. As art… hmm. We’ll see.

I have teenaged sons; the watching of Jackass was mandatory for a while. The best sequences were not the crazy hurtful stunts, I always felt, but the ones where they would bewilder members of the public. The Bad Grandpa sketches, such as the one where he sits outside with his grandson (older than in the film), passing back and forth a cigarette and bottle of hooch and picking a fight with the local hard-nut, were hilarious.

I smell a hit. If this doesn’t take $100 million I will, like Werner Herzog, eat my shoe.

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#9: Secret Cannes diary of a Time Out Editor, aged 33¼

28 May
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Roman Polanski and Emmanuelle Seigner in Cannes. In the event, Geoff was too shy to say hello on the nearby table.

The penultimate extract from my 1997 Cannes Film Festival diary, in which MTV equals anarchy and a producer praises my “tabs” and “dabs”…

Jon Ronson and I left the Bright Young Things to their boat (see previous diary entry) and set off to meet Geoff Andrew for dinner. Geoff materialised through the usual scrum around the red carpets of the Palais with Sheila Johnston and Quentin Curtis, fellow critics, and we headed off to the Old Port and Le Réfuge, Geoff’s fave, a choice supported by the arrival of little mummified Roman Polanski with his sweetheart Emmanuelle Seigner.

Cannes treated us to a huge fireworks display, as we sat outside in the chilly night, so long in fact it almost became dull! Nigel Floyd and Mark Kermode came past but insisted on finding somewhere they could eat inside.

After four bottles of rosé, time to get to the MTV do. Geoff pooh-poohed my suggestion of phoning a taxi, as the Time Out Guide recommended, and we set off in search of one. Nothing doing. So we hoofed it.

It was a long, long, weary walk, Geoff wisely dropping out to drink sedentarily at the Petit Majestic, and we arrived an hour later to find a huge crowd outside that turned out not to be gawkers, but bona fide ticket holders. We pressed and panted and heaved for a while, then squeezed out of the crowd, gasping for air, and stood at the periphery, marvelling at the cattle-truck chaos. A fight broke out; then a woman who pushed her way to the front of the crowd was, according to Jon, thrown bodily back into the crowd by a bouncer, wailing dismally, “But I’m from Freud Communicaatiooooooons…..”

It was Freud PR that “organised” this shambles, so it felt like divine retribution. The few people who emerged unsteadily from inside, with the dazed look of the war-wounded, said there were similar scenes indoors. And there was our man Richard “Jobbo” Johnson, still vainly struggling outside with the rest despite his clutch of VIP passes.

We would have left sooner, but I couldn’t face the walk. Eventually Laura and the Soho House posse arrived and commandeered a Soho House bus to squeeze the 13 of us in, and off we went…

I called a halt at the Croisette, and a half-dozen of us trooped off to the Petit Majestic. Less a bar than a street party, it’s where the Brits congregate (and some noisy, sing-songing ones at that, sadly). Jon left after 40 minutes, but by then I’d found Geoff, and Emma Davie, so I stayed, talking with them and her Miramax friend and the Welcome to Sarajevo team.

I also met a funny little producer who said he loved the way I smoked as though I enjoyed passionately each lovely breath.

“Love the way you smoke your ‘tabs’,” he said.

[I met him again the next day in the grocery store, the worse for wear having followed on to G&Ts and Jack Daniels, and I discovered that the important-seeming Cannes office number he’d been giving everyone really belonged to some old French lady. He greeted me with “Hey, shiny ‘dabs’!” Meaning my shoes. What lingo is that?]

I called it a night sometime after 4.30am; not too drunk this time owing to the two and a half hour drinking hiatus imposed by those f***ers at MTV who ruined my big night out.

I teased Jon about that. He was always complaining of the Cannes hierarchies of colours and badges and party restrictions, and I’d played Mr Sensible, saying otherwise there would be chaos.

And there it was, his egalitarian “everyone goes” party society, descending rapidly into apehood.

For the next extract, in which I dance with James Woods and watch the Spice Girls on a Croisette roof, click here. For the first 1997 diary extract, click here. For the first blog on Cannes 2013, click here.