Tag Archives: nominees

The 2015 Oscar nominations: Brit hits and Whiplash wit

16 Jan
"Whaddya mean I should be happy with my Golden Globe? I'm going for an Oscar, dammit!" JK Simmons shows his less cuddly side in Whiplash

“Whaddya mean I should be happy with my Golden Globe? I’m going for an Oscar, dammit!” JK Simmons shows his less cuddly side in Whiplash

Congratulations to Whiplash, which I blogged about last Friday as “The little film that could”, for its four Oscar nominations, including Best Picture. It opens today in the UK: read my articles about the making of it here.

The noms are a great haul for the Brits, with eight for The Imitation Game and five for The Theory of Everything, plus a deserved nod to Rosamund Pike for Gone Girl. Mr Turner managed four, which is actually not bad going for a slow film about a long-dead British artist who communicates largely through grunts. The stunning cinematography that recreates Turner’s paintings, light and all, must surely be a strong contender in that category. It is disappointing that neither Timothy Spall nor Mike Leigh were recognised for what is probably their finest work, but not as flat-out outrageous as their snub from the BAFTAs.

For the first time since 1998, there is not a single black actor among the nominees, though Selma gets a nod in the Best Picture category. That’s not yet out in the UK, so I can’t comment on whether David Oyelowo was unfairly overlooked. But the nominations are a reminder that this was a fine year for cinema, and an innovative one to boot. Boyhood was filmed over a period of 12 years; Birdman was shot in one single continuous take; The Grand Budapest Hotel was a delirious artifice; and Whiplash was a little indie film shot in 19 days that somehow muscled through to be nominated for Best Picture.

Much as critics may bemoan the blockbusterisation of cinema (and actually, even the blockbusters are a lot more competent, coherent and fun than they used to be), there’s life in the old Hollywood dog yet.

For the official Oscars site with the full list of nominees, click here.

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Academy Awards 2014: the winners and blingers of an Oscar night with no grouches

3 Mar

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That was actually a pretty great Oscar ceremony. Jennifer “J-Law” Lawrence took a little tumble before it even began this time, back on the red carpet. Any more trips and she’ll get sponsored by Expedia.com. As for the compere, Ellen Degeneres was never going to sail too close to the edge – a blessing, after the Seth McFarlane “boobies” embarrassment of last year – but she did bring a breath of fresh air.

She broke Twitter, briefly, by organising the most celebtastic selfie of all time (above), and, surreally, ordered in pizza. Chiwetel Ejiofor took the first slice; Harrison Ford looked at his dubiously, as though inspecting an archaeological relic. Ellen’s Oscars seemed to break down the barriers between celebrity and public, toppling the screen icons from a pedestal that most of them never wanted to be on in the first place. Though of course J-Law toppled from hers first.

Most of all, though, it helped that this was the strongest year for film in ages: there was never a moment where you thought, “the Oscar went to whaaaat?” And so, without further ado, the winners are…

Best Film: 12 Years A Slave. Whoop! Whoop! Whoop! So happy to see justice done. It is an extraordinary film. Chief producer Brad Pitt nobly and sensibly turned the speech over straight away to co-producer/director Steve McQueen, who was a sweet mess of nerves. He read out a long list of thanks, saying “I’m sorry about this” in a very British way for taking so long about it, and when he had finished, bounced up and down across the stage like a cuddly pogo stick. Brilliant.

Best Director: Alfonso Cuarón. I loved loved loved Gravity, but I wish Steve McQueen had won for 12 Years A Slave. Still, a worthy winner. Great to have two foreign art-movie directors vying for Hollywood’s most glittering prize.

Best Actor: Matthew McConaughey. Gutted that Chiwetel Ejiofor didn’t win this, but he’s unlucky to have come up against one of the strongest fields in ages. McConaughey is one of Hollywood’s own, and he was extraordinary in Dallas Buyers Club: a complete transformation. And he did say “all right all right all right” in his speech.

Best Actress: Cate Blanchett. Well of course. Always the bookies’ favourite, and it really couldn’t be otherwise. She absolutely carries Blue Jasmine, and what’s more, she’s about the only person ever in a Woody Allen film not to sound exactly like Woody Allen. “Julia hashtag suck it,” Blanchett said to Julia Roberts in her speech, continuing “The world is round, people!” Love her.

Best Supporting Actor: Jared Leto. He didn’t win me over. He was maybe as good as he could be in a part that was just a rainbow coalition of clichés, but I would rather have seen Jonah Hill win for his gutsy, literally balls-out performance in Wolf Of Wall Street.

Best Supporting Actress: Lupita Nyong’o. Yay!!! J-Law was fantastic in American Hustle, but we already know she’s that good. Lupita, however, is a new, fresh, raw talent, and so elegant and dignified off screen and in her speech: “When I look down at this little statue, may it remind me and every child that no matter where you are from your dreams are valid.” Somehow she makes this utterly heartfelt and charming, not hokey as you would expect.

Best Original Screenplay: Spike Jonze. Oooh, good for him! Her was a fresh, quirky, thought-provoking script, but I’m still surprised that the American Hustle bandwagon petered out quite so comprehensively as not to win this.

Best Adapted Screenplay: John Ridley for 12 Years A Slave. Fantastic to win this, I’m all for 12 Years winning as many as possible, though as Ridley himself said in the speech, the main credit goes to Solomon Northup. Scary speech by presenter Robert De Niro, incidentally: “The mind of a writer can be a truly terrifying thing,” he said. “Isolated, neurotic, caffeine-addled, crippled by procrastination, and consumed by feelings of panic, self-loathing and soul-crushing inadequacy. And that’s on a good day.” Thanks, Bob! Mostly, it’s scary because it’s true.