Tag Archives: score

See my short, Dotty, for free! Plus: amazing new feature Set The Thames On Fire

6 Nov
Dotty, starring Sadie Frost and her son Rudy Law

Dotty, starring Sadie Frost and her son Rudy Law

If you’re in London this Saturday lunchtime, grab the chance to watch Dotty on the big screen – for free! Dotty is a truly lovely short film that I dreamed up and Ben Charles Edwards directed, about a troubled young boy growing up in Nevada in the ‘60s who forges a life-changing friendship with an eccentric lady in a mysterious trailer in the desert. I was very loosely inspired in writing it by Harold and Maude, and there’s a reveal at the end that still sends chills up my spine, thanks in part to a haunting Danny Elfmanesque score by Paul Honey.

Sadie Frost won a well-deserved Best Actress award in the title role from the Hollywood Reel Independent Film Festival (I flew over for that, see here), and the boy is touchingly played by her real-life son by Jude Law, Rudy Law. Dotty has screened in 20-odd festivals round the world already, and this is its second London outing, following Raindance. It’s showing as part of the Fringe! Queer Film and Arts Festival, now in its tenth year, together with four other shorts under the themed of “Growing Pains”. Tickets are free, but you should book them in advance here.

I can’t be there in person, sadly. I’m going back to my old Oxford college for its Careers Day, to give advice to students contemplating a future in journalism. That advice, incidentally, distilled to its essentials, is THERE IS NO FUTURE IN JOURNALISM! RUN AWAY! RUN AWAY!

Set The Thames posterDotty’s visionary young director Ben Charles Edwards has since made his feature-film debut, with Sadie Frost, Emma Comley and Andrew Green as producers. I’ve seen some rushes, and it looks extraordinary (and not just because I am in it, briefly, playing a music producer in a huge quifftastic hat). It’s like a darker version of Withnail & I set in a retro-Dickensian dystopian future London, and it’s called Set The Thames On Fire. The screenplay is by the very talented musician Al Joshua, whose recent showcase gig  I wrote about here.

Check out the amazing pics for Set Thames On Fire on the new website.

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Soundcheque: putting movies and music together

28 Nov
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XFM’s Sunta Templeton and Liam Young with Soundcheque founder Laura Westcott (centre)

Film-makers: ever wished you could just magically find the perfect segment of music at a price you can afford? Musicians: ever wished your old compositions could bring in extra cash without you having to do any whoring around?

You might as well ask, “Bears: have you ever thought to avail yourselves of the bowel evacuation facilities provided by a sylvan environment?”

Soundcheque.com really is a no-brainer. Composers upload their music. Film-makers search by genre or mood and download the pieces they like. Or, even easier, they ask Soundcheque to suggest an artist and negotiate on their behalf according to their budget – this bespoke service comes at no extra cost, and overall Soundcheque take just 20% of the fee and 0% of any royalties, surely the best deal out there for composers.

The effervescent founder, Laura Westcott, is a classically trained musician and singer who founded the site for love rather than money, and is most definitely on the artists’ side. “My accountant thinks I’m mad not to take a bigger cut,” she confesses, “but for me it’s just the right thing to do.”

I first wrote about Soundcheque the day it soft-launched, back in January (click here to read). It had just 50 composers and 19 Facebook fans. Nearly a year later, it has 1,000 composers (twice as many as its nearest UK rival) and 35,000 Facebook fans, and on Tuesday night celebrated its relaunched website with a banging party at Concrete in Shoreditch. There were terrific sets from Soundcheque protégés Sykes and from beatboxing legend Beardyman; also in attendance were XFM DJs Sunta Templeton and Liam Young (pictured above), as well as the still utterly fabulous Patricia Quinn.*

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Laura with film producer Marcus Campbell Sinclair and the fabulous Patricia “Magenta” Quinn

The great thing about Soundcheque now is its range. It welcomes micro-budget film-makers who can only afford £50 for a track, but Laura Westcott has also been courting the big advertising agencies. The latest convert to the Soundcheque cause is Sir Martin Sorrell, CEO of WPP (only the world’s largest advertising company), whom she met at an awards ceremony in the House of Lords, as you do. Sky and the BBC have started using Soundcheque too.

As to the future, Laura will be doing a talk and workshop on music licensing at the BFI’s Future Film Festival in February. Caffè Nero plan to use Soundcheque music in their coffee shops, as well as getting Soundcheque bands to play live. There will be a songwriting competition in association with Gibson Guitars. And next summer, I can exclusively reveal, Soundcheque will be running a stage at the Latitude Festival in conjunction with Live Nation. The production team will be drawn from a pool of youngsters with the Prince’s Trust, with whom Laura does a lot of pro bono work.

It all sounds almost too good to be true – especially when Laura, at her party, is resplendent in a dress loaned by Vivienne Westwood. And then she reveals that there were times before the bigger business started coming in when, to make ends meet, she had to rent out her flat and sleep in her car. Now that’s passion. Long may she remain in the driving seat.

*Patricia Quinn, of course, played Magenta in the Rocky Horror Picture Show, and I first met her at a party of Kim Newman’s, where she sang the whole of Science Fiction Double Feature in the kitchen. This follows on from Richard O’Brien serenading me after dinner in the Ivy Club, so an open call to Susan Sarandon, wherever you are: I’m waiting for a burst of Touch-a Touch-a Touch Me!

They shoot, she scores! Soundcheque’s movie music

31 Jan
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Soundcheque founder Laura Westcott makes it Big (as in Tom Hanks)

Music and film. Or, as Bowie sang, “Don’t you wonder sometimes/About sound and vision?”

You may not notice it consciously, but soundtracks have a powerful effect on your emotions. Try watching a horror movie, or even a romance, on mute with subtitles. Or imagine Jaws without the cello, Star Wars without the strings. It’ll leave you cold.

Not every film-maker can afford to commission a brand-new composition. Not every musician knows how to get in touch with directors. So welcome, please, www.soundcheque.com, a brand-new website, launched today, that aims to bring the two together. Don’t expect bells and whistles, not yet anyway, or a refinable Search facility. Do expect the personal touch.

“I’m not doing this for the money,” says Laura Westcott down the phone from New York, where she now works as an online content editor for News Corporation. “I’m doing this for love, to help musicians. When someone posts their project, I and my small team of Soundcheckers will try to match it to the right music.”

The site takes 20% commission from any transaction. Fees are negotiable, depending on the size and budget of the project. Laura will even allow student and no-budget film-makers to advertise no-fee projects, assuming one of her musicians is hungry enough for credit.

There are other sites you can go to: www.Scorerevolution.com, for instance, or www.Magnatune.com. SoundCheque has a way to go before it can match the range of their catalogues. But it is free for film-makers to register their projects, while musicians get a no-win-no-fee deal. And Westcott appears to have the nous, the contacts, and, most importantly, the passion to build her site up for the future.

Before spending three years as a recruitment consultant and then pitching up at News International, she got a degree in Music, and spent eight years with the London Philharmonic. Having crossed the Atlantic, she has just got into the New York Choral Society, which will mean singing at Carnegie Hall (she’ll have to “practise, practise, practise!”).

In fact music is, quite literally, in her skin.

Westcott confides: “Peter Brookes (the Times cartoonist) gave me a drawing of a musical butterfly, joking that I should get it tattooed… and I did!”

Soundcheque welcomes project synopses from film-makers, and uploads from musicians, at http://www.Soundcheque.com

Nearly a year after I wrote this, Soundcheque relaunched with a new-look website and 1,000 composers. Read about it here.