Tag Archives: Sylvester Stallone

The Big Short: now in with a big shot at the Oscars

24 Jan
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Steve Carell continues his break-out from comedy in The Big Short, now William Hill’s Oscar favourite

Just over a month to go before the Oscars, and the bookmakers are honing the odds. William Hill spokesman Rupert Adams says they have just had the “biggest move in 30-odd years of Oscar betting” after The Big Short won at the Producers Guild last night, making it the Oscar frontrunner. Odds have been slashed from 10/1 to 5/4.

It makes sense: The Revenant is an awesome movie, a true masterpiece of film-making, but many people have found it cold and brutal and hard to love. It’s not about anything much more redeeming, either, than how the drive for revenge can keep you alive against all odds. Oscar likes his films to be Important, like 12 Years a Slave; or else about film-making, like Argo (which is important, too), The Artist or Birdman.

So it makes sense if Best Film is turning into a two-horse race between The Big Short (how the financial crisis happened) and Spotlight (Boston priests exposed as paedophiles). No surprises to see Leo DiCaprio in the top spot for Best Actor: this is surely his year. Sylvester Stallone doesn’t really deserve Best Supporting, but he’s fine in Creed, and (mini-spoiler alert), he does get Very Ill, which Oscar also likes. I’d rather Mark Rylance won for his extraordinary subtle and dignified turn in Bridge of Spies, but it lacks the pyrotechnics Oscar craves.

Brie Larson, too, is a good bet in a crowded field, partly because Room is another Important film. And I’d certainly like to see Rooney Mara win as Supporting Actress for Carol: anyone who can hold their own against Cate Blanchett has a lot going for them. These are William Hill’s odds right now:

Best Picture: 5/4 The Big Short, 13/8 Spotlight, 7/2 The Revenant, 14/1 The Martian, 25/1 Mad Max: Fury Road, 50/1 Bridge Of Spies, 40/1 Room, 66/1 Brooklyn

Best Actress: 2/7 Brie Larson – Room, 11/2 Saoirse Ronan – Brooklyn, 7/1 Jennifer Lawrence – Joy, 9/1 Cate Blanchett – Carol, 2o/1 Charlotte Rampling – 45 Years

Best Actor: 1/12 Leonardo DiCaprio – The Revenant, 9/1 Michael Fassbender – Steve Jobs, 10/1 Eddie Redmayne, 25/1 Bryan Cranston – Trumbo, 25/1 Matt Damon – The Martian

Best Director: 4/5 Alejandro Gonzalez Inarritu – The Revenant, 11/4 Adam McKay – The Big Short, 9/2 George Miller – Mad Max: Fury Road, 5/1 Tom McCarthy – Spotlight, 25/1 Lenny Abrahamson – Room

Best Supporting Actor: 8/13 Sylvester Stallone – Creed, 13/8 Mark Rylance – Bridge of Spies, 10/1 Christian Bale – The Big Short, 12/1 Tom Hardy – The Revenant, 25/1 Mark Ruffalo – Spotlight

Best Supporting Actress: 4/6 Rooney Mara – Carol, 2/1 Alicia Vikander – The Danish Girl, 9/2 Kate Winslet – Steve Jobs, 16/1 Jennifer Jason Leigh – The Hateful Eight, 50/1 Rachel McAdams – Spotlight

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New films: Sly, Denzel, Bill, and l’il Lynch & Cronenberg

3 Feb
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Denzel Washington in Flight: the thinking man’s drinker

Note: this is the first in a weekly fix of new-release round-ups, saving you time and money. In future, I will post it on Fridays (as well as other blogs here and there).

Nostalgia ain’t what it used to be. When people used to smile wistfully and say, “They don’t make ‘em like that anymore”, they meant screwball comedies, or heart-warming romances for the whole family. But now, fortysomething film fans might be thinking that about Bullet to the Head.

Stallone is on a mission to bring back the ‘80s, thankfully minus the haircuts. After two Execrables (sorry, Expendables), this is another testosterone-fuelled, muscle-packed, tattoo-laden fightfest, with a Ronseal slogan for a title.

The good news is that Bullet to the Head is directed by Walter Hill. He has always taken violence to mythic extremes: The Warriors (1979) was stuffed with classical allusions from Xenophon. If action’s what you want, Hill delivers it a little more satisfyingly than most.

With Arnie back in The Last Stand, and Terminator 5, Triplets and The Legend of Conan in the pipeline, it’s as though the last quarter-century never happened.

Another week, another Oscar contender. Flight features a subtle, career-best performance from Denzel Washington as a brilliant pilot who rescues his plane from a fireball, but is subsequently found to be alcoholic. Is he a national hero, or a menace?

There’s a classic piece of acting advice, which most ignore. It’s not to play drunk. Drunk people pretend to be sober – most actors are sober people pretending to be drunk, and it shows. [Actresses also take note: people given terrible news usually try to contain their grief, not let it out.] Anyway, Denzel nails his character. The opening flight scenes are as thrilling as you would expect from director Robert Zemeckis, too.

It’s always a pleasure to watch Bill Murray, in those rare moments he isn’t turning up unannounced at student parties or rescuing random people in unexpected ways (see the cult of www.billmurraystory.com). But his charming performance as President ‘FDR’ Roosevelt, being courted for the war effort by King George VI, isn’t enough to lift Hyde Park on Hudson. Plus… no werewolves! What’s that all about? FDR: American Badass gave us Nazi werewolves, so we’re definitely short-changed here.

Finally, welcome please the Next Generation in cult film-making:

Chained is directed by Jennifer Lynch, daughter of David. Astonishing they let her near a movie camera again after Boxing Helena (1993), the heart-warming story of a man who loves a woman too much – so much he cuts off her arms and legs and keeps her in a box. Chained is about a serial-killing New York cabbie called, yes Twin Peaks fans, Bob. Ah well. What kind of films do you expect from someone who grew up knowing Eraserhead was inspired by her birth?

Antiviral is the low-budget but beautifully shot debut of 32-year-old Brandon Cronenberg, son of David. The premise is intriguing: a clinic harvests viruses from sick celebrities to sell to rabid fans, so they can catch the same illness. Far-fetched? Maybe not. Is it really that far from the Britney Spears fans who were encouraged by internet pranksters to Go Bald for Britney after spreading rumours that she had cancer, or the Beliebers who were made to Cut4Bieber when he was pictured smoking a joint?

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